Showing posts with label Through the centuries. Show all posts
Showing posts with label Through the centuries. Show all posts

31/08/2009

THROUGH THE CENTURIES: GUNPOWDER, TREASON AND PLOT



This is my last entry for the section Through the centuries in the Period Drama Challenge. Now I have to start thinking what to post for the second section, VICTORIAN MIST. I've got lots of DVDs set in the Victorian Age. I just have to choose... that's not easy though.


GUNPOWDER, TREASON AND PLOT is one of the latest addition to my DVD collection. It is a two – part miniseries broadcast by BBC in 2004 and now available on dvd.
It is loosely based upon the lives of Mary Stuart, Queen of Scots, and her son James I. I usually love teaching about this period in British History, not only because it is the historical background of Shakespeare's latest years.

The writer Jimmy McGovern (same author as recent BBC series MOVING ON) tells the story behind the Gunpowder Plot in two parts, each centred on one of the monarchs.
Directed by Gillies MacKinnon and filmed in Romania with a key Scottish crew, the first film dramatizes the relationship between Mary, Queen of Scots, played by French actress Clémence Poésy, and her third husband, James Hepburn, 4th Earl of Bothwell played by Kevin McKidd. Scottish actor Robert Carlyle stars as James I in the second part of the series, which concentrates on the Gunpowder Plot (1605), planned by Guy Fawkes, to blow up the Houses of Parliament in order to rid the nation of a Protestant monarch to be replaced by a Catholic. Despite the rampant insincerity to historical accuracy this is enjoyable, well acted and well written. Clemence Poesy as Mary Queen of Scots is particularly good, and it is her story, making up the first half of dvd, that is the best. Kevin McKidd is the other remarkable protagonist as the Earl of Bothwell you won’t resist his rough lust! Though the second part is less emotionally involving, Robert Carlyle as James I is convincingly nauseous. He really is believeable as the creepy, unpleasant king.
I loved this. Although, to be fair, I loved the first part more than the second. I'm more interested in Mary than in James. If you can overlook the annoying historical inaccuracy and appreciate it as well acted, well written drama then you can get much fun from this dvd.


You’ll find lots of information about this historical drama HERE.



Now have a look at this clip with two exciting moments in the conflictual passionate relationship between Mary, the Queen, and Bothwell, one of her faithful chancellors.



RELATED POSTS AND SITES

18/08/2009

THROUGH THE CENTURIES: The Duchess

As I told you, I'm moving back from a century to the previous one in my PERIOD DRAMA CHALLENGE. I started with a WWII movie CHARLOTTE GRAY (20th century), then I saw and reviewed THE BUCCANEERS set at the end of the 19th century and here we are in the 18th century England.


I saw this DVD this morning and found it terribly sad. It couldn’t have been different…set in the 18th century, the story of Georgiana Spencer Duchess of Devonshire, could but be a tragic example of the life of an intelligent, accomplished, cultured, lively woman in a male-ruled world : no freedom, no love, no self-determination.

She has to marry a man she barely knows at 17. Her mother signs a contract with the Duke of Devonshire which establishes that Georgiana will give him a male heir in exchange for a great patrimony.

Georgiana will be humiliated for being able to give birth only to daughters and will have to bear his husband’s lover under her roof, at her table, in her life.

She will bravely ask her husband for the same right, that is, to openly love the man she loves, Charles Grey.

Of course , in the end, she will have to give up her dreams. The strict social rules of the time will be respected and she will continue living a successful worldly life as the Duchess of Devonshire.

No freedom, no love, no self-determination. Are success and wealth worth all that?

Good performances - Keyra Knightley , Ralph Fiennes, Charlotte Rampling

Wonderful locations and costumes.




VISIT THE OFFICIAL SITE OF THE MOVIE

The movie is based on Amanda Foreman's bestseller book

"THE DUCHESS"

Have a look here

12/08/2009

THROUGH THE CENTURIES : THE BUCCANEERS (BBC 1995)


My second task in the PERIOD DRAMA CHALLENGE has been completed. I watched the BBC 1995 mini-series THE BUCCANEERS. I’m still working on the category THROUGH THE CENTURIES and I’m going to go back in time month after month. I started with CHARLOTTE GRAY, a movie set in the 20th century, during WWII, so this time I'll take you back to the 19th century: 1873.



I think that to be brief and direct I may just say that watching this mini-series was a delight. But this is not enough for a proper review, isn’t it? However, you must believe me. It is an amazing costume drama. THE BUCCANEERS is the last novel written by Edith Wharton. It was unfinished at the time of her death in 1937, and published in that form in 1938. After careful study of the synopsis and notes, Wharton scholar Marion Mainwaring finished the novel, which was published by Viking Press in 1993. Independently, the same year the BBC hired screenwriter Maggie Wadey to adapt and finish the novel for a television serial adaptation, which was produced by the BBC and American PBS broadcaster WGBH, and As a result the novel has two different endings.
The story opens in Newport , R.I., in the U.S.A. in 1873 and focuses on the life experiences and love affairs of four daughters of new money: Virginia and Annabell (Nan) St. George and their friends Lizzy and Conchita. After the arrival of a British governess who has to take care of the St. George girls, Laura Testvalley, their lives get in touch with British aristocracy, their old-styled stiff manners and narrow – minded way of thinking. One of them, Conchita, gets engaged with Lord Richard who will take her to his home in England but soon gets tired of her when he discovers she is not as rich as he believed. All the girls move to England on a sort of formation journey with their governess...they are going to invade England, as the English invaded their native country long ago: they are the new Buccaneers.
The story follows the buccaneers' rocky lives through marriage, pregnancy, affairs and divorce, focusing particularly on the fate of the youngest, most idealistic girl, Nan St. George, and her governess and mentor, Laura Testvalley. The young women struggle with modernity and tradition, conformity and rebellion. And how do they end up?
Once in England, the American girls begin to conquer the British bachelors. Lizzy sets up the engagement between Virginia St. George and Lord Seadown - much to the chagrin of his passionate mistress Idina Hatton. But Lord Seadown is only intersted in Virginia’s money and she will discover the disappointing terrible reality as soon as they got married. Julius, the Duke of Trevenick, proposes to a confused and love-torn Nan St. George. In fact, she loves Guy Thwarte but he must leave the country for two years to make his fortune and, though in love with her, can’t promise her nothing: “He wants to make his fortune not to marry one”. Lizzie Elmsworth marries the rising MP Hector Robinson. Conchita receives more and disturbing news from her roaming husband, Lord Richard who deserts and neglects her.
My favourite characters are, of course, Nan (Carla Gugino) and Guy (Greg Wise). Their love story is really involving and Nan’s character is so passionate, brave, strong-willed and anti-conformist that you can’t remain indifferent. She accepts the marriage proposal of Julius, Duke of Trevenick and becomes a duchess when she is only eighteen. She has to endure appalling disillusion: no fairy-tales but boredom and dissatisfaction at Trevenick. She will be even raped by her childish selfish husband, will lose her baby, will be forced to accept her golden prison. In the end, however, she will have the courage to pursue freedom and love creating a scandal.


The best moment in the series is when Nan and Guy run away together from a party leaving all their acquaintances speechless and astonished. To comment this scene I'll use Laura's, Nan's governess, words :
"When I saw Nan and Guy run away together I needed to scream out loud. I don't know if it was envy or fear. But it was like... it was like to see them take a leap into space."




13/07/2009

THROUGH THE CENTURIES : The Second World War in my childhood memories and in a beautiful movie


Tonight I'm going to start my Period Drama Challenge. It has been proposed by Alex, Ana T. and Ana O. in their charming blog: LIGHTS, CAMERA ...HISTORY! I've subscribed for two categories:

1.THROUGH THE CENTURIES (4 items )

2. VICTORIAN MIST (4 items).

On the whole, I'll have to review 8 costume movies or dramas I haven't seen yet in a year's time. I want to work on stuff I haven't seen nor reviewed yet, so that it can be a REALchallenge. I 've decided to begin with the first category and I'm going to post about movies telling a story set in the 20th, 19th, 18th and 17th centuries as in a journey back in time . Some days ago I was reading a post in Marianna's blog, one of my blogmates, and she was writing about a book she read and a film adaptation she saw . Suddenly I remembered I owned that DVD but I had never seen it. It had been one of my online bargains, paid half -price: CHARLOTTE GRAY (2001) starring Cate Blanchett, Rupert Penry-Jones, Michael Gambon and Billy Crudup. Director Gillian Armstrong. Based on the novel by Sebastian Faulks ( the finale of the book is quite different, though).

CHILDHOOD MEMORIES

My interest in the Second World War time comes from my childhood experiences. Mind, I’m not that old! I'd better to explain ...

Falling asleep hearing the nightmarish sound of the terrifying booted march of German Nazi soldiers inside your pillow is not plausible if you are an 8/9- year-old little girl living in the 70s. But that happened to me almost every night. No princes nor princesses, no elves nor fairies, neither wizards, in my grandfather’s evening tales to us ; only real life, HIS real life. Well, it was me who asked him to tell me and my sister about his exciting adventures during the war and he willingly accepted. It was this way that my fascination for that period started…I learnt about his experiences in Africa where his younger brother died, his being caught and brought to India by the English, his return to Italy where he found his first son (my uncle) who feared him since he didn’t know him ( the poor little boy was only some months when hisfather had left), the Nazi occupation after the Armistice, the bombing of his native town by the American allies who wanted to force the Germans to leave, his attempts to protect his family ( now he also had two daughters, my mother and my aunt). Lessons of life, lessons of History I’ll never forget. So…whenever I see a movie set in that time I think of HIM, my first History teacher, my dear grandfather - who brouhgt me up with my grandmother since my parents worked 15 hours a day – of HIM who loved me dearly and now watches me from up there. It happened with this movie too. With “Charlotte Gray”.

THE STORY

In 1942, a young Scots woman, Charlotte Gray, travels to London to take a job. On the train she talks to a man sharing her compartment, and he - who works for one of the British secret service agencies at the time - gives her his card. Despite the war, social life in London is in full swing and the attractive, intelligent girl soon meets up with an airman, Peter Gregory. The temporary nature of life at the time is symbolised in their quickly lived relationship: she loses her virginity and also her heart to him. The intensity of the romance is heightened when Gregory is sent on a mission over France and news comes back to Charlotte that he didn't return and listed as missing in action.

Charlotte spent much of her childhood in France and speaks the language fluently - a talent that the secret service wishes to exploit in its effort to support the French Resistance. Charlotte decides to throw in her job and joins a Special Operations Executive (SOE)* training course. Once it has schooled her in methods of interrogation, dyed her hair a mousy brown and replaced her fillings, Charlotte is parachuted into France to complete a specified mission. But instead of doing her job and heading home, she sets out to find Gregory's whereabouts.
She assists at a parachute drop but then settles down as housekeeper to an ageing man, father of her main resistance contact, Julian. Over time she comes to understand him in a way she never had understood her own father. Both the old man and Charlotte's father fought in the First World War and bear lasting physical and psychological scars. She also helps to conceal two Jewish children, André and Jacob, after their parents are arrested and deported, and as 1942 progresses we learn about the steadily growing oppression of the Jews in France with complicity by the Vichy French government. Julian’s father is interviewed about his Jewish ancestry, and when he stays silent, his son denounces him in order to save the two little boys hidden in their house. The old man is then packed off with the two jewish boys André and Jacob to the prison camp/transfer station in Drancy where Charlotte manages to get them a moving message: a reassuring fake letter for the two boys saying that their parents are alive and will go and rescue them, they had to behave properly and eat well, meanwhile. The children and the old man, instead, will be shuttled like cattle to their deaths at the Auschwitz concentration camp in Poland. Although Charlotte has faith that Peter Gregory is still alive, she cannot trace him , so in 1943 goes back to London. Here, she will soon discover her hope has come true: Peter is alive. But their meeting is strange, she can’t feel for him any longer . Her life in France has changed her and she can’t go back to what she was like before. She has left her heart in France and must go back there: Julian is waiting for her, he has always loved her.



PART OF THIS REVIEW HAS ALSO BEEN POSTED ON
LIGHTS, CAMERA, ... HISTORY!