Showing posts with label Saturday Night Classic Reading. Show all posts
Showing posts with label Saturday Night Classic Reading. Show all posts

26/12/2009

SATURDAY NIGHT CLASSIC READING - CHARLES DICKENS'S GREAT EXPECTATIONS



GREAT EXPECTATIONS is my latest reading among Charles Dickens's novels and it has become my favourite so far. Dickens has the power of making  me smile, laugh, reflect on serious matters,  be astonished at his skillfullness as a story-teller, be moved to tears and all in one story . I read it three years ago in summer and it got me so involved I went on reading at night to know what was going to happen to poor Pip.

Though not considered as autobiographical as David Copperfield, which he had published some ten years earlier, the character of Pip represented a Dickens who had learned some hard lessons in his later life. Especially strong throughout the novel are the concepts of fraternal and romantic love, how society thwarts them, how a man should find them. Dickens had left his wife at that time and there were rumours of an affair with a young actress, Ellen Ternan.


For financial reasons, Dickens had to shorten the novel, making it one of his tighter and better written stories. It was published in serial form, as were all of his novels, and the reader can still see the rhythm of suspense and resolution every couple of chapters that kept all of England waiting for the next issue, and me , as I told you, awake at night.

All in all, Great Expectations is considered the best balanced of all of Dickens' novels, though a controversy still persists over the ending. Dickens had originally written an ending where Pip and Estella never get back together. Many critics, including George Bernard Shaw, believe that this rather depressing ending was more consistent with the overall theme and tone of the novel, which began, continued, and perhaps should have finished with a serious, unhappy note (this is the ending chosen for my Italian edition of the novel).

Nevertheless, Dickens published the ending where all is forgiven and Estella and Pip walk out of the Satis House garden together.


I haven't been able to find and see the BBC adaptation of this novel dating back to 1999 but I'd like to do it as soon as possible. I've only seen an American movie (1998) , loosely based on the novel, with Ethan Hawke, Gwyneth Paltrow, Anne Bancroft and Robert De Niro,  which transferred the story to nowadays and to the USA.



Now, like every Saturday night, I suggest you listening to some pages of this novel, some of the  most gripping ones, read by a good actor. Our reader tonight is DAN STEVENS. Enjoy Dickens, enjoy Dan's reading .

 

If you want to know more about the plot of  GREAT EXPECTATIONS click here


HAPPY CHRISTMAS HOLIDAYS!

19/12/2009

SATURDAY NIGHT CLASSIC READING - PRIDE AND PREJUDICE

Tonight I want to invite you to re-read my favourite pages from PRIDE AND PREJUDICE. Last Wednesday 16 December,   it was Jane Austen’s birthday so let’s go on celebrating her.




Elizabeth has now definitely formed her opinion of Mr Darcy, not at all a positive one. She absolutely  hates and despises him:
first of all he said she is just of tolerable beauty, he didn’t want to dance with her at Meryton, he cheated Wickham on inheritance matters, influenced Mr Bingley in his decision to turn her sister’s Jane down. What more does she need to think he is the last man in the world she would want to marry?

But totally unexpected Mr Darcy’s proposal comes … Listen to Dominic West reading it.




http://www.cartenoire.co.uk/pride-and-prejudice


Now the same scene from the 1995 BBC adaptation starring Colin Firth  as Mr Darcy
and  Jennifer Ehle as Elizabeth



If you are, instead , a fan of the 2005 film adaptation maybe you want to see Mr Darcy's first proposal under the rain again. ( click here )


Matthew MacFadyen and Keira Knightley

How would you react if you were Lizzie? Just the same? Definitely not in that way? Don’t cheat … we know more than Elizabeth about Mr Darcy ! So, to be precise, what would do if you were her, knowing what she knows, thinking what she thinks of him?

12/12/2009

SATURDAY NIGHT CLASSIC READING - MIDDLEMARCH by G. ELIOT



I’m fond of really long Victorian era novels. I’d much rather read one of those than 10 modern books. So, like every Saturday Night, here I am to suggest you a Classic to read , as usual it is one chosen among my favourites, again a Victorian long novel. I’ve chosen to introduce you to tonight’s classic with a videoclip. It is set in Italy, my country. Young idealist Dorothea Brooke has just married old Reverend Casaubon and they are on their honeymoon in romantic Italy. But their journey is not at all romantic …


 
(from BBC MIDDLEMARCH 1994)

MIDDLEMARCH by George Eliot (1870-71)



If we had to sum up Middlemarch in just a few words, we might say that it's a novel about social and political reform. But it's also a novel about love and marriage. And about trying and failing. And about second chances. It is, in other words, a huge and wide-ranging novel. And we do mean huge: the edition I own  is 838 pages long. That's a lot of pages, but then, George Eliot had a lot to say.
But why was Middlemarch so popular? Well, it was socially and politically relevant when it first came out: it was published in 1870-71, just four years after the 3rd Reform Bill was passed in Parliament. Reform was a big deal in 19th-century England. Who would get to vote, and who would take care of poor people, and healthcare, and minimum wages – everyone had some pet reform project they wanted to bring before Parliament. But Eliot didn't want to write a novel about something that had just taken place, so she set the novel forty years earlier, in 1830 – just before the First Reform Bill was passed. Eliot believed that it takes time to understand historical events – it's impossible to understand all the consequences of something right after it takes place. Forty years, Eliot reasoned, was the perfect amount of distance: it's long enough that people have gained some perspective on what happened back then, but it's recent enough that the events are still pretty familiar.

But this epic novel has also a really extraordinary heroine which contributed to its popularity: Dorothea Brooke.
Upper-middle and upper-class Victorian women were expected to "marry money," stay home to raise the family, and be responsible for the management of domestic affairs. As a result, women, who lacked the opportunity for the kind of education men had, were praised chiefly for their ability to act properly towards their husbands. Dorothea Brooke is an intelligent and independent young woman, who differs from the conventional woman of the Victorian Age. While other Victorian ladies worried about fashion and marriage, Dorothea concerns herself with issues of philosophy, spirituality, and service. Eliot points out Dorothea's genuine beauty in describing her physical appearance:
"Miss Brooke had the kind of beauty which seems to be thrown into relief by poor dress. Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters; and her profile as well as her stature and bearing seemed to gain the more dignity from her plain garments, which by the side of provincial fashion gave her the impressiveness of a fine quotation from the Bible, — or from one of our elder poets, — in a paragraph of to-day's newspaper".

Tonight's reader is Dan Stevens and he is going to read one of the most exciting and touching scenes in the novel ... Ludislow is going to leave Middlemarch forever and visits Dorothea to bid her goodbye...

(CLICK ON THE URL UNDER THE PICTURE, RELAX AND ENJOY )




OTHER LINKS


05/12/2009

SATURDAY NIGHT CLASSIC READING - THE AGE OF INNOCENCE


This is one of my favourite novels among the ones I've recently read. I was completely caught by the two protagonists' love story. As usual, each Saturday night I take a little time to listen to a passage intensely read by an actor and today I've chosen to propose to all of you Dominic West reading some pages from Edith Wharton's THE AGE OF INNOCENCE. You can find all my enthusiasm and my fondness in this post HERE.
By the way, do you remember Edith Wharton is visiting FLY HIGH! on January 15th 2010? CLICK HERE TO DISCOVER HOW!
Now to our man and our reading. Dominic West has a wonderful deep voice. It was such a pleasure to listen to him reading these pages I love so much ... TRY YOURSELF. CLICK ON THE URL UNDER THE PICTURE AND ENJOY! A VERY ROMANTIC  SATURDAY NIGHT TO YOU ALL!




28/11/2009

THE PICTURE OF DORIAN GRAY - FROM THE BOOK TO THE MOVIE (2009)


THE BOOK
The Picture of Dorian Gray was aesthete Oscar Wilde’s only novel, although he wrote a number of poems and children’s stories before it was published in 1890 (in Lippincott’s Magazine). Like much of his work and life, the Gothic novel Dorian Gray was controversial. In his preface to the book he famously wrote that, "There is no such thing as a moral or immoral book. Books are well written or badly written. That is all". The novel is a brilliant portrait of vanity and depravity tinged with sadness. The picture of the title is a splendid work painted by Basil Hallward of the orphaned boy Dorian Gray who is the heir to a great fortune. Lord Henry and Hallward discuss the boy and the remarkable painting. Dorian in front of his own portrait sees his beauty for the first time and  declares he would give his soul if he were always to be young and the painting instead would grow old. As the story pans out, Dorian leaves his fiancĂ©e - the actress Sibyl Vane - because through a single bad performance he claims that she has ‘killed’ his love. She kills herself with poison and Dorian is unaffected. So begins the tale of the boy’s descent into low society in London while still giving dinners and musicals for high society. He is inspired by two things: the book Lord Henry sends him that seems to predict his own life in dissecting every virtue and every sin from the past; and secondly the picture of himself which grows steadily older and more vicious looking compared to his own mirror image which remains young. Fanatical about the portrait, he is driven to murder and deception. As others are drawn into this web of evil Dorian himself longs to return to innocence but his method is horrific and tragic.


PART II - BACK FROM THE MOVIES


So, at last, I succeded in watching this movie! It was not that easy. For example, we had to drive for 72 km, to Rome, to see it. Then, after queueing for quite a bit, (did all those people really want to see that film?) we were said there was only a seat left and we were TWO (my husband and I!). We drove to another cinema fearing it was too late, and , finally, we managed to find  two comfortable seats. First of all, I didn't expect such crowded theatres. Usually when I go to the cinema to see period movies I'm interested in , I comfortably sit among very few people. Moreover, among that  noisy (too noisy)  crowd, there were many teenagers... I really don't know if it  happens also in other parts of the world but Italian young people can be rather wild mannered in public places. Briefly, they thought they were at the stadium watching a match: they commented loudly, they shout at the actors on the screen, they clapped and ... laughed were there was nothing to laugh at!
Apart from all the unpleasant happenings before and during the film , I was rather interested and not at all bored while watching ... I was so busy discovering the (SO MANY!) differences between the novel and the movie! I 'm not going to  list them:  they are numerous, so numerous,  I'd rather say: are they sure they read the same novel I read before writing the script?
I know they needed to add blood, sex, action , creepy devices,  to get the modern watcher involved but there should be a limit! The story has been completely transformed, even its key ideas.
Did I like the movie? Not so much. Would I have liked it if I hadn't known the book so well? Neither. Not the sort of movie I'd drive to Rome and bear a crowd of noisy teenagers!


Do you want me to find at least one thing to save? I'll give you two: Colin Firth and Dorian's ... clothes!






21/11/2009

SATURDAY NIGHT CLASSIC READING : NORTH AND SOUTH BY ELIZABETH GASKELL

"Big man as he was, he trembled at the idea of what he had to say..."

Today there has been a merry gathering of ladies coming from various parts of the world in London organized by members of  C19 . They celebrated BBC 2004 NORTH & SOUTH's  fifth birthday. It was  in fact first aired  in November 2004. Since I couldn't join them there, I thought I could take part in the celebration dedicating  my Saturday Night Classic Reading to

re-reading and re-watching Gaskell's NORTH AND SOUTH

 This novel is one of my favourite ever and its BBC adaptation is one my best-loved costume dramas. So if you have time, I've prepared this long multimedia posting ...Tomorrow is Sunday, isn't it?



When Margaret Hale arrives in Milton - in the industrial northern district of England - she is so disappointed by the bleak, smoky, noisy, grey atmosphere of the place. Her father has left the Church and decided to uproot his family from Helstone , in the beautiful countryside of the South of England. Margaret is greatly prejudiced against the people from the North and their rather direct, almost wild manners. So she starts idealizing the South.
Margaret (Daniela Denby-Ashe)Margaret (Daniela Denby-Ashe)
Mr Bell, one of Mr Hale’s former university mates, suggested them to settle in Milton where he owns a cotton mill run by his tenant, Mr John Thornton. Mr Thornton helps the Hales to find accomodation and becomes Mr Hale’s friend and pupil. He is handsome and smart, self-confident and successful in his job, greatly appreciated in Milton both as an entepreneur and a magistrate.


Margaret instead doesn’t like him at all , she doesn’t hide  her dislike of him and often argues with him when he comes round as one of Mr Hale’s private pupils. He represents everything Margaret despises in the North, especially now that she has started making new acquaintances among the working people and sympathising with their struggle against their masters. She makes friends to the Higgins, Bessy who suffers from an illness caused by her past  work  in a cotton mill, and her father, Nicholas, a strong-willed worker and one of the leaders of the Union.


Mr Thornton is attracted by Margaret’s beauty and by her firmness; her strong personality and her cold detached manners soon win him. She, perhaps, reminds him his mother to whom he has been deeply attached since his father committed suicide in a moment of financial difficulty. Young Thornton, then, had to work hard to pay back his father’s debts and to provide for his mother and sister. He is a self – made man and he is proud of his accession in society.
 But, unfortunately, he is not a gentleman in Margaret’s eyes and she continues siding with the workers. Until one day some of them  organize a riot against Mr Thornton. The workers  have been on strike for about a month to protest against their lowered wages. All the mills in Milton have stopped their activities, the workers’ families are starving, when they heard that Mr Thornton has brought in black – leg workers from Ireland. Their rage  mounts and they are ready to attack the unfortunate Irish hidden at Marlborough Mill.   Margaret is, by chance, visiting the Thorntons just on that day and she finds herself involved.
She prompts Thornton to face the  furious crowd and to defend the poor Irish workers from their violence:
“ Mr Thornton, go down this instant, if you are not a coward. Go down and face them like a man. Save the poor strangers, whom you have decoyed here. Speak to your workmen as if they were human beings. Speak to them kindly. Don’t let the soldiers come in and cut down poor creatures who are driven mad
(E. Gaskell, North and South, chap. XXII, vol.I).

 But when she realizes she has put him in terrible danger, since some of the boys and men in the crowd have wooden clogs in their hands and  are ready to throw them at him, she puts her arms around Thornton  and makes her body a shield between him and their rage. She takes a blow on her forehead and faints, before the soldiers arrive the workers retreat and run away.



Her action  is completely misinterpreted  by John Thornton who proposes to Margaret the next morning. The girl is even offended by his proposal and rejects him firmly, expressing all her contempt: “Your way of speaking shocks me. It is blasphemous. I cannot help it … but your whole manner offends me . … You seem to fancy that my conduct of yesterday …was a personal act between you and me; and that you may come and thank me for it, instead of perceiving, as a gentleman would … that any woman, worthy of the name of woman, would come forward to shield... a man in danger from the violence of numbers”(E. Gaskell, North and South, chap. XXIV, vol. I)

NOW , TAKE SOME TIME TO WATCH AND LISTEN TO GREG WISE READING THE ENTIRE PROPOSAL SCENE FROM THE BOOK (CLICK ON THE URL BELOW  THE PICTURE ) ;  THEN, IF YOU WANT, YOU CAN COMPARE THE TEXT  WITH THE SAME SCENE IN THE BBC ADAPTATION.








Margaret has got a brother,Frederick, a navy officer who lives in  forced exile since he led a mutiny against a violent unfair captain. He can be hanged as a traitor if caught. Since Mrs Hale’s delicate health and her “low spirits”, have brought her to serious illness, Margaret has written to him, and he risks his life in order to see their dying mother once again. He secretly arrives and as secretly leaves the house at night before the funeral .But he and Margaret are seen that night by Mr Thornton   at the station while departing.  Thornton thinks they are lovers and doubts  Margaret’s honourability since she is out alone with a man at night. Moreover, an old acquaintance of the family recognizes Frederick, the two men fights, young Hale succeeds in leaving Milton safe but … the next morning the man, named Leonard is found dead in the street and. even worse, someone witnessed the whole scene the previous night and told the police.
 A police inspector visits Margaret and asks her if the night of Leonard’s death she was out with a young man, because someone- one of the porters at the station - watched a beautiful young lady with a handsome young man , the same person  saw the  two men fighting  and would swear the lady was Margaret, he is sure. She denies as convincingly as she can: she has to protect her brother. The inpector leaves saying  that the case will be followed by Milton magistrate, John Thornton.
Mr Thornton, though doubting Margaret’s morality and truthfulness, decides there will be no further enquiry due to lack of evidence. Thornton wants to spare his friend, Mr Hale, from any involvement in the case: he has just lost his wife and is so depressed! But he, of course, wants also  to save Margaret from shame. The girl’s reaction is confused and troubled:
Mr Thornton had seen her close to Outwood station on the fatal Thursday night, and had been told of her denial that she was there. She stood as a liar in his eyes.…Oh, had anyone such just a cause to feel contempt for her? Mr Thornton, above all people, on whom she had looked down from her imaginary heights till now! She suddenly found herself at his feet, and was strangely distressed at her fall.”(E. Gaskell, North and South, vol.II , chap. X)
Margaret’s troubles have not ended, unfortunately. Her father ,too , dies. She is completely alone and has no reason to stay in Milton. Now she has started changing her attitude towards the north and its inhabitants, especially Mr Thornton, she has to leave. She is going to move to London with her aunt, Mrs Shaw, her cousin Edith and her husband Captain Lennox. She also discovers that Mr Bell, her father’s friend who owns Marlborough Mill , wishes  to make her his heiress: she will inherit his patrimony when he dies.
Mr Bell suddenly dies and Margaret becomes rich just when , Mr Thornton, now her tenant, is in great financial difficulties and has to leave his position at Marlborough Mill. When Margaret hears about Thornton’s disgraced situation decides to help him…She meets him in London … she has a business proposition for him : she receives very little interest for the money she has in the bank. She offers him a great sum  he can dispose of to run  Marlborough Mill. He will run the mill for her , she is sure he will give her a much higher interest.
It is the start of a different relationship between them….


 The TV version reflects Gaskell's atmospheres and characterizations but it has taken its liberties from the book, for instance ... the final scene... Margaret and John meet again at a train station, halfway between  Helstone and Milton. It is a really effective, romantic, moving finale but totally different from the ending pages of the novel which take place in Margaret's cousin's house in London. The protagonists  in the book hug in the sitting-room, hidden from indiscreet looks. Instead, quite unbelievable for mid-19th century Victorian England, in the movie the two ...  well ... have a look at this CLIP ....





 


14/11/2009

SATURDAY NIGHT CLASSIC READING : PERSUASION


My favourite Austen's is PERSUASION. It is her last novel and the one whose protagonist I most sympathize with. Have a look at the right column of my blog: I AM ANNE ELLIOT. I've never met  a Captain Wentworth, or, better, I've never re-met him after a long separation ... a Wentworth maybe  lost forever  in my past. Perhaps this is why I love this story and each time I'm moved at the two protagonists'  delayed  but intense final gratification and happiness. Tonight, surfing the Net, I've found this video with Greg Wise (do you remember Willoughby 1995?) reading PERSUASION. I listened to him and ...  loved being persuaded by this handsome man!


Do you want to try? Take 15 minutes off,  make a cup of good long coffee, sit ,  relax... and enjoy the reading!
 (CLICK ON THE LINK UNDER THE PICTURE)


Excellent reading, wasn't it? Now let's see how this beautiful finale, written by Jane Austen in the last years of her short  life, was interpreted and transformed in  two Tv adaptations , BBC 1995 and ITV 2007.

BBC 1995 PERSUASION ( ending)




ITV 2007 PERSUASION
ENDING PART I








ITV 2007 PERSUASION
ENDING PART II