Showing posts with label Gaskell. Show all posts
Showing posts with label Gaskell. Show all posts

13/07/2016

SUMMER READING LIST: 5 GREAT BOOKS TO READ THIS SUMMER

  


(by guest blogger Cassie) 

Summertime is a beautiful season and what better way to spend it than sitting back in the sunshine with a good book. There are hundreds of summer reading lists out there, but for fans of Jane Austen and classic literature, we’ve compiled five incredible stories that are bound to tickle your fancy. 


They are all easily purchasable for Amazon's Kindle, making them perfect to take away with you. However, particularly if you're buying while abroad, it's wise to make sure you're using the right tools to keep your details. Check out this post by Secure Thoughts on Kindle security for more information.

Ready for some recommendations?


14/11/2014

HAPPY 10th BIRTHDAY, NORTH AND SOUTH!


Can a TV series touch your heart and change your life? Nooo? You can only say that if  you haven't seen this one. I would have answered "no" myself before watching  it  by chance  a  few years ago. Unbelievable but true, this is what this miniseries did to thousands of viewers all over the world. If I had only suspected what a turning point   BBC NORTH AND SOUTH, would be in my life... I would have watched it earlier! Instead, I discovered  it only in the summer 2008 and it , incredibly, actually changed my life.
Exaggerating? Not a bit. I know the same happened to so many! Which other costume series had such an extraordinary response? Pride and Prejudice 1995, of course. But not many others.
Enthusiastic fans, hundreds of them, overwhelmed the BBC Drama message boards with messages about the series and,  in particular, its hero. Soon the BBC had to set up a separate message board for the discussions. The phenomenon of so many women taking to an Internet message board for the first time because of their love for this programme became the subject of an article by Anne Ashworth in The Times. She wrote: 
The BBC Drama website contains the outpourings of hundreds of thirty and fortysomething women for this year’s romantic hero. He is John Thornton, the northern millowner in Mrs Gaskell’s North & South, recently serialised on BBC One. Thornton was played smoulderingly by the previously little-known Richard Armitage as a blue-eyed, dark-haired stunner, the Darcy de nos jours. On the messageboard, character and actor merge into one object of desire: RA/JT (from http://www.richardarmitageonline.com/

04/05/2011

AN ACADEMIC VIEW OF NORTH & SOUTH - PART I

Any excuse is good to watch again and read again Gaskell's North and South. This time it was my good friend K/V's fault, ehm... merit. She sent me two essays written by two different university scholars saying: "See if they can help you with your lessons"
Titles: 
2. A View of North and South by David Kelly (very soon, in a second post)
Sigh. Did she really want to help me with my lessons? 
Mmm...maybe. Fact is, she knows me too well and I couldn't resist. Result is, I GOT DISTRACTED from my duties and start reading them.  Practical evidence of the fact, here's my post about them.
Jokes apart, these essays are interesting. Why didn't we study period drama when I was at university,  I wonder?


14/09/2010

BLOG TOUR - CELEBRATE ELIZABETH GASKELL'S 200th ANNIVERSARY

Celebrate the 200th Anniversary of Elizabeth Gaskell’s Birth
with a Blog Tour on September 29th, 2010

"He shrank from hearing Margaret's very name mentioned; he, while he blamed her--while he was jealous of her--while he renounced her--he loved her sorely, in spite of himself." Elizabeth Gaskell, North and South
Elizabeth Gaskell birthday blog tour graphic by Katherine Cox of November’s Autumn


2010 marks the bicentenary of mid-Victorian novelist and short story writer Elizabeth Gaskell’s birth on September 29th, 1810 near London. Best known for her detailed and sensitive portrayals of English social strata, her novels are cherished by literature lovers and social historians for their honest depiction of life of the rich and the poor from the first half of the nineteenth century. Five of her books have also been brought vividly to the screen in television mini-series adaptations: The Brontes of Haworth (1973), Wives and Daughters (1999), North and South (2004), Cranford (2007) and Return to Cranford (2009).

To honor Mrs. Gaskell’s literary achievement, please join me and other fellow Gaskell enthusiasts for a blog tour in celebration of her birthday. Visit any of the participant’s blogs on Wednesday, September 29th, 2010 to read about her life and times, and reviews of books and movie film adaptations. There you will also find a link to take you to the next blog on the tour. Enjoy!

Biography
Elizabeth Gaskell’s life and times: Vic – Jane Austen’s World

Novels/Biography
Mary Barton (1848) Book: Kelly – Jane Austen Sequel Examiner
Cranford (2007) Movie: Laura – The Calico Critic
Ruth (1853) Book: Joanna – Regency Romantic
North and South (1854–5) Book: Laurel Ann – Austenprose
North and South (2004) Movie: Maria Grazia– Fly High
Sylvia's Lovers (1863) Book: Courtney – Stiletto Storytime
Wives and Daughters (1865) Book: Katherine – November’s Autumn
Wives and Daughters (1999) Movie: Elaine – Random Jottings
The Life of Charlotte Bronte (1857) Book & (1973) Movie The Brontes of Haworth: JaneGS – Reading, Writing, Working, Playing

Novellas

Mr. Harrison's Confessions (1851) Book: Alexandra – The Sleepless Reader
My Lady Ludlow (1859) Book: Alexandra – The Sleepless Reader
Cousin Phillis (1864) Book: Alexandra – The Sleepless Reader


Resources
Your Gaskell Library: Links to MP3's, ebooks, audio books, other downloads and reading resources available online: Janite Deb – Jane Austen in Vermont

"Sometimes one likes foolish people for their folly,
better than wise people for their wisdom." Elizabeth Gaskell, Wives and Daughters


Portrait of Elizabeth Cleghorn Gaskell (née Stevenson), by George Richmond, chalk, 1851. Bequeathed to the © National Portrait Gallery, London by the sitter's daughter, Margaret Emily Gaskell, 1913

17/02/2010

WEDNESDAY NIGHT MISCELLANEOUS POSTING

1. IN MY MAIL BOX


It just arrived today from California, USA! I won a copy of EMMA in a giveaway at ttp://vvb32reads.blogspot.com/ some time ago and HERE IT IS! Thanks a lot!

2. AWARDS

I've just received three awards and I'm terribly flattered since they came from three terrific bloggers!Meredith at Austenesque Reviews awarded me with the Oh La La Award for the first time and Jane GS at Reading, Writing, Working...Playing  + Christy at Readin' and Dreamin' with the  Happy 101 Award for the second and third time (WOW! )
Thank you very much indeed to you all ! I'm so happy !

As for the Happy 101 , I've already listed the things which make me happy some time ago and also already received and passed the award to seven other bloggers.
It is instead the first time I got The Oh La La Award so I have a task to fulfil: answering a few simple questions:

Where is your favorite place to read a book?
In bed in the winter, on my balcony full of flowers in the summer.

What are the best books you've read recently?
The Age of Innocence, Wives and Daughters, Cleopatra's Daughter. These are the ones I liked best, at least.

Do you snack while reading?
No, I don't. I usually sip a loooong coffee while reading.

Are you a book borrower or book collector?
Definitely collector and proud owner. Even jealous.

Here are some bloggers and blogs that I adore!

1. Daily Words and Acts

2. November's Autumn

3. The Squee


3. TEACHING VICTORIAN LITERATURE CAN BE A DELIGHT


I have to be more precise: teaching Elizabeth Gaskell's NORTH & SOUTH, what a success! After introducing the historical context, we started reading and discussing some pages from OLIVER TWIST by Dickens,   but I didn't notice the same ... excitement.




Then, I prepared a series of lessons on Gaskell and her wonderful novel using PPT slides, fragments from the BBC adaptation (2004), photocopies of chapter XXII, a worksheet with questions about the text and the TV version . We have just started but it has already been a success! This morning, for example, we compared the riot at Marlborough Mill in the text to the same scene in the TV series. My students (19 year old, mostly girls, only 3 boys) were so interested and enthusiastic in the end that... I have to thank Mrs Gaskell for this miracle but also BBC, Richard Armitage and Daniela Denby-Ashe!

So many questions! And they didn't want to stop when the bell rang the end of my lesson...we are going on next Friday. They can't wait to listen to what Mr Thornton is going to tell Miss Hale to thank her, since she saved his life ... No spoiler, then!

MY LESSON ON LEARNONLINE

16/02/2010

19th CENTURY ROMAN CARNIVAL WITH ... ROMANCE

Frenzy and craziness, loud music, masked, disguised, laughing kids and young people all around … Would you ever think this is the right setting for a romance? Have you ever lived one at Carnival?


A ROMANCE

Tonight, Shrove Tuesday, while (almost) everybody is partying to say good-bye to Carnival before Lent begins, I’d like to tell you about a romance dating back to the 19th century.

The setting – Rome

The time – 24 February, Shrove Tuesday, 1857

The protagonists: Elizabeth (46) Charles Eliot (30)

She, English, was there with her daughters. Her husband at home. She had arrived at Civitavecchia from Marseilles after an exhausting voyage which took more than expected. They reached Rome on 23 February, guests of the Storys, at the Casa Cabrale, at 43, Via San Isidoro, in the same district as the Spanish Steps, the traditional artists’ quarter where John Keats had died in 1821.
The sheer novelty of the scene, the gaiety of the crowds disguised as figures of high romance with their Travestia and masks, completed the spell cast of the spring morning. Mother and daughters were intoxicated with the mere sight and sound of Roman life before ever they tasted it. It was like nothing they had experienced before and they were, then and lastingly, profoundly affected by the place.

The Storys had hired a balcony on the Corso from where to see the Carnival processions and were settled there with their guests when Charles Eliot Norton entered the scene. Meta, one of Elizabeth ‘s daughters recorded the incident many years later:

“The narrow street was filled with a boisterous crowd of Romans, half mad with excitment at the confetti-throwing and horse-racing. Suddenly against this turbulent background there stood out the figure of a young man just below the balcony, smiling up at my mother, whom he knew he was to see there and whom he easily distinguished from the others. It is fifty – three years since that day, and yet even now I can vividly recall the sweet, welcoming expression on the radiant face. He was brought on to the balcony, but how little he and my mother thought m as they greeted one another, that until her death they were to be most true and intimate friends”.

It was instant sympathy what sprang up between those two elected souls: he was the perfect cicerone, she the ideal recipient for every beautiful scene or object he could bring up her notice. The experience can perhaps best be described by the rather old-fashioned expression, Platonic Love. Given the total frankness of her nature, she abandoned herself to it without reservation or scruple, because nothing could conceivably be wrong with it: “it was in those charming Roman days – she would write on her return to England - that my life, at any rate, culminated. I shall never be so happy again. I don’t think I was ever so happy before. My eyes fill with tears when I think of those days, and it is the same with all of us. They were the tip-top point of our lives. The girls may see happier ones – I never shall”

Her husband had remained at home, in England. His name was … Rev. William Gaskell. And yes, she was Elizabeth Gaskell who had already published her Mary Barton (1848) ,Cranford (1851–3), Ruth (1853) and North and South (1854–5) She was already an acclaimed novelists at the time. He was Charles Eliot Norton, American student of art history of which later he became professor at Harvard and was then on his second trip to Europe. In fact, seven years before, in 1850, he had already been introduced to Mrs Gaskell during one of her London visits at the Proctors’ house and had retained a charmed memory of her.

“She is – he later told James Russel Lowell – like the best things in her books; full of generous and tender sympathies, of thoughtful kindness of pleasant humour, of quick appreciation, of utmost simplicity and truthfulness, and uniting with peculiar delicacy and retirement a strength of principle and purpose and straightforwardness of action, such as few women possess”.

(Excerpts from Winifred Gérin, Elizabeth Gaskell, Oxford University Press, 1976)

A real demonstration of love. Maybe Platonic but true sincere love. Did you recognize any of Gaskell’s future characters in this young man so dear to her?

19th CENTURY ROMAN CARNIVAL
(from an American tourist's  point of view)

For generations the place to be for Carnival was Rome.

European and, eventually, American tourists took in the pre-Lenten celebrations in Rome, often at the end of a winter stay in the city, as part of a "Grand Tour." The New York Times even had correspondents reporting from Carnival in Rome into the 1870s

In his Europa: or, Scenes and society in England, France, Italy, and Switzerland, Bostonian Daniel C. Eddy, a Baptist clergyman, wrote of his travels in a "reminiscence of our pleasant tour".

 In his preface to the travel book, however, Eddy is upfront about his nativist political leanings and his anti-Catholicism (he would be elected as a "Know Nothing" to the state legislature and served as Speaker of the House in Massachusetts):

Carnival in Rome by Bartolomeo Pinelli (1781-1835). Watercolor. Rome, Italy, 1806. Victoria & Albert Museum)

If Italy is ashamed of her bones and beads, crosses and cardinals, her sovereign, with his tiara and his dandy guards, let her enslaved thousands rise and be men again, as were the people of Rome, when even Paul could boast that he was a citizen of that once favored, but now fallen city.

In spite of himself, Eddy, like many other American tourists, found themselves ambivalent and conflicted with the beauty, customs, history, and decay of Rome and the Church. American reactions to Carnival, Lent, and Easter in Rome often brought out that ambivalence. Eddy, in between quotations from Charles Dickens, writes:
The carnival, which continues eight days, and consists of a succession of masquerades, races, balls, and frolicks, is gay, magnificent, and foolish beyond description. The last two days bring out all the people of Rome, and thousands of strangers, who resort to the city for the purpose of seeing the famous sports. ...
The Corso is the broad way, the great thoroughfare of Rome; and it is here that pleasure appears in its most attractive forms. Families lay aside their aristocratic pride, and ride out in their carriages; strangers hire less imposing vehicles; poorer classes on foot crowd the streets, while the windows, verandas, porticoes, and balconies are filled with the delighted spectators. ...
The carriages are filled with men and women, young and old, gay and grave, who are armed with baskets of flowers and piles of confectionery, which they throw at others whom they may meet in the street, in other carriages, on the sidewalks, and at the windows. ...
At night, carriages again fill the Corso, crowded with beauty and life. Each person has a lamp, and the frolic consists in blowing out each one the lamp of his neighbor, and keeping his own burning. The Corso becomes a cloud of fire, which shines out from many a torch and lantern. Red, green, blue, and many a gay color flashes on the wight, until the whole scene becomes one of bewildering beauty. ...
During the carnival, Rome is a sort of paradise--a heaven of gay pleasures; but when the carnival closes, hell begins...These festivals are held to cover up the wretchedness of the masses; but they cannot do it..."

HAPPY SHROVE TUESDAY NIGHT TO ALL OF YOU!!!
Special thanks to my little fairy, Merryweather!

21/11/2009

SATURDAY NIGHT CLASSIC READING : NORTH AND SOUTH BY ELIZABETH GASKELL

"Big man as he was, he trembled at the idea of what he had to say..."

Today there has been a merry gathering of ladies coming from various parts of the world in London organized by members of  C19 . They celebrated BBC 2004 NORTH & SOUTH's  fifth birthday. It was  in fact first aired  in November 2004. Since I couldn't join them there, I thought I could take part in the celebration dedicating  my Saturday Night Classic Reading to

re-reading and re-watching Gaskell's NORTH AND SOUTH

 This novel is one of my favourite ever and its BBC adaptation is one my best-loved costume dramas. So if you have time, I've prepared this long multimedia posting ...Tomorrow is Sunday, isn't it?



When Margaret Hale arrives in Milton - in the industrial northern district of England - she is so disappointed by the bleak, smoky, noisy, grey atmosphere of the place. Her father has left the Church and decided to uproot his family from Helstone , in the beautiful countryside of the South of England. Margaret is greatly prejudiced against the people from the North and their rather direct, almost wild manners. So she starts idealizing the South.
Margaret (Daniela Denby-Ashe)Margaret (Daniela Denby-Ashe)
Mr Bell, one of Mr Hale’s former university mates, suggested them to settle in Milton where he owns a cotton mill run by his tenant, Mr John Thornton. Mr Thornton helps the Hales to find accomodation and becomes Mr Hale’s friend and pupil. He is handsome and smart, self-confident and successful in his job, greatly appreciated in Milton both as an entepreneur and a magistrate.


Margaret instead doesn’t like him at all , she doesn’t hide  her dislike of him and often argues with him when he comes round as one of Mr Hale’s private pupils. He represents everything Margaret despises in the North, especially now that she has started making new acquaintances among the working people and sympathising with their struggle against their masters. She makes friends to the Higgins, Bessy who suffers from an illness caused by her past  work  in a cotton mill, and her father, Nicholas, a strong-willed worker and one of the leaders of the Union.


Mr Thornton is attracted by Margaret’s beauty and by her firmness; her strong personality and her cold detached manners soon win him. She, perhaps, reminds him his mother to whom he has been deeply attached since his father committed suicide in a moment of financial difficulty. Young Thornton, then, had to work hard to pay back his father’s debts and to provide for his mother and sister. He is a self – made man and he is proud of his accession in society.
 But, unfortunately, he is not a gentleman in Margaret’s eyes and she continues siding with the workers. Until one day some of them  organize a riot against Mr Thornton. The workers  have been on strike for about a month to protest against their lowered wages. All the mills in Milton have stopped their activities, the workers’ families are starving, when they heard that Mr Thornton has brought in black – leg workers from Ireland. Their rage  mounts and they are ready to attack the unfortunate Irish hidden at Marlborough Mill.   Margaret is, by chance, visiting the Thorntons just on that day and she finds herself involved.
She prompts Thornton to face the  furious crowd and to defend the poor Irish workers from their violence:
“ Mr Thornton, go down this instant, if you are not a coward. Go down and face them like a man. Save the poor strangers, whom you have decoyed here. Speak to your workmen as if they were human beings. Speak to them kindly. Don’t let the soldiers come in and cut down poor creatures who are driven mad
(E. Gaskell, North and South, chap. XXII, vol.I).

 But when she realizes she has put him in terrible danger, since some of the boys and men in the crowd have wooden clogs in their hands and  are ready to throw them at him, she puts her arms around Thornton  and makes her body a shield between him and their rage. She takes a blow on her forehead and faints, before the soldiers arrive the workers retreat and run away.



Her action  is completely misinterpreted  by John Thornton who proposes to Margaret the next morning. The girl is even offended by his proposal and rejects him firmly, expressing all her contempt: “Your way of speaking shocks me. It is blasphemous. I cannot help it … but your whole manner offends me . … You seem to fancy that my conduct of yesterday …was a personal act between you and me; and that you may come and thank me for it, instead of perceiving, as a gentleman would … that any woman, worthy of the name of woman, would come forward to shield... a man in danger from the violence of numbers”(E. Gaskell, North and South, chap. XXIV, vol. I)

NOW , TAKE SOME TIME TO WATCH AND LISTEN TO GREG WISE READING THE ENTIRE PROPOSAL SCENE FROM THE BOOK (CLICK ON THE URL BELOW  THE PICTURE ) ;  THEN, IF YOU WANT, YOU CAN COMPARE THE TEXT  WITH THE SAME SCENE IN THE BBC ADAPTATION.








Margaret has got a brother,Frederick, a navy officer who lives in  forced exile since he led a mutiny against a violent unfair captain. He can be hanged as a traitor if caught. Since Mrs Hale’s delicate health and her “low spirits”, have brought her to serious illness, Margaret has written to him, and he risks his life in order to see their dying mother once again. He secretly arrives and as secretly leaves the house at night before the funeral .But he and Margaret are seen that night by Mr Thornton   at the station while departing.  Thornton thinks they are lovers and doubts  Margaret’s honourability since she is out alone with a man at night. Moreover, an old acquaintance of the family recognizes Frederick, the two men fights, young Hale succeeds in leaving Milton safe but … the next morning the man, named Leonard is found dead in the street and. even worse, someone witnessed the whole scene the previous night and told the police.
 A police inspector visits Margaret and asks her if the night of Leonard’s death she was out with a young man, because someone- one of the porters at the station - watched a beautiful young lady with a handsome young man , the same person  saw the  two men fighting  and would swear the lady was Margaret, he is sure. She denies as convincingly as she can: she has to protect her brother. The inpector leaves saying  that the case will be followed by Milton magistrate, John Thornton.
Mr Thornton, though doubting Margaret’s morality and truthfulness, decides there will be no further enquiry due to lack of evidence. Thornton wants to spare his friend, Mr Hale, from any involvement in the case: he has just lost his wife and is so depressed! But he, of course, wants also  to save Margaret from shame. The girl’s reaction is confused and troubled:
Mr Thornton had seen her close to Outwood station on the fatal Thursday night, and had been told of her denial that she was there. She stood as a liar in his eyes.…Oh, had anyone such just a cause to feel contempt for her? Mr Thornton, above all people, on whom she had looked down from her imaginary heights till now! She suddenly found herself at his feet, and was strangely distressed at her fall.”(E. Gaskell, North and South, vol.II , chap. X)
Margaret’s troubles have not ended, unfortunately. Her father ,too , dies. She is completely alone and has no reason to stay in Milton. Now she has started changing her attitude towards the north and its inhabitants, especially Mr Thornton, she has to leave. She is going to move to London with her aunt, Mrs Shaw, her cousin Edith and her husband Captain Lennox. She also discovers that Mr Bell, her father’s friend who owns Marlborough Mill , wishes  to make her his heiress: she will inherit his patrimony when he dies.
Mr Bell suddenly dies and Margaret becomes rich just when , Mr Thornton, now her tenant, is in great financial difficulties and has to leave his position at Marlborough Mill. When Margaret hears about Thornton’s disgraced situation decides to help him…She meets him in London … she has a business proposition for him : she receives very little interest for the money she has in the bank. She offers him a great sum  he can dispose of to run  Marlborough Mill. He will run the mill for her , she is sure he will give her a much higher interest.
It is the start of a different relationship between them….


 The TV version reflects Gaskell's atmospheres and characterizations but it has taken its liberties from the book, for instance ... the final scene... Margaret and John meet again at a train station, halfway between  Helstone and Milton. It is a really effective, romantic, moving finale but totally different from the ending pages of the novel which take place in Margaret's cousin's house in London. The protagonists  in the book hug in the sitting-room, hidden from indiscreet looks. Instead, quite unbelievable for mid-19th century Victorian England, in the movie the two ...  well ... have a look at this CLIP ....





 


08/11/2009

WIVES & DAUGHTERS - From the book to the TV screen




I've recently read and posted ( HERE ) about Elizabeth Gaskell's beautiful last unfinished  novel, Wives & Daughters, and I 've soon after decided it was time to watch the BBC 1999 adaptation in four episodes I had in my DVD collection but hadn't seen yet - I usually prefer reading the book first!
The script was by Andrew Davies, who also adapted for the screen several of Austen's works, among other classics.

It does not very often happens  to me , while comparing a book to its filmed adaptation, but it seemed I was re-reading the story, I was not at all disappointed at what I was watching and listening to. Very little, insignificant changes didn't interfere with the atmospheres and characterizations Gaskell had wanted to convey. I particularly loved Justine Waddel as Molly Gibson, Keelye Hawes as Cynthia, Rosamund Pike as Lady Harriet and , infinitely, Michael Gambon as Squire Hamley.
If you look for another John Thornton in Roger Hamley, leave it, you won't find one. He's rather dull , too patient , too naive to be compared. The hero and the heroine in this story, that is Molly and Roger, are the symbols of unselfish love, they are so generous and ready to self -denial that one is let to think they are rather unbelievable characters. Too good to be true. But I like them, though they can sound dull,too sensible or too little passionate. What I appreciate is that  they can really love people.
If there is something I didn't much like in this series is ... the ending Davies wrote. It was not what I expected.  It was a happy ending, of course, as Mrs Gaskell had surely planned, but not as lively or as exciting as I had imagined it. Judge yourself watching the clip below.
Mrs Gaskell narration had stopped at Roger Hamley waving at Molly from afar, outside her house, under  heavy rain. Then he leaves for Africa for two years... See what happens in the Tv drama, instead.



22/10/2009

ON BOOKS AND GUYS


Winning books: what a delight!
Today I received, surprisingly soon, the copy of "The sinful life of Lucy Burns" I won at ANECA'S WORLD just last week.Yesterday I was quoting Calvino and his idea of the Inferno we all live in and today here is Lucy Burns and her devilish story. Thanks, Ana. You've been so kind to send this book immediately. Congratulations for your beautiful blogs. Yes, BLOGS. Because Ana T. is a very active blogger and runs and writes several blogs. You should know her amazing LIGHTS, CAMERA ... HISTORY , there she posts about period movies and drama with other two portuguese young ladies Alex and Ana O. It's one of my favourite blogs!





Italian Guy or English Gisborne?
In many countries in Europe English and American TV series and films aren't dubbed. The result is that you watch TV or go to the cinema and familiarize with the English language, while you understand what you are watching with the help of subtitles in your own language. Scandinavian countries do that, as well as Belgium for instance. Italians are quite lazy, so they prefer to dub everything and the result is they do not do any effort but are terribly bad at foreign languages (most of them, not all of them, of course!)
As for me, since I studied and learnt some English, I have had a certain dislike for dubbed versions. If I have to enjoy a film, I must watch it in the original version. I enjoy it much more. I know we have very good actors dubbing American stars. Luca Ward, for instance, Russel Crowe's Italian voice, is extremely good. But we are not always that lucky. Listen to what happens to poor Guy of Gisborne when he loses Richard Armitage's deep velvet voice and starts speaking Italian... I've made a comparative short clip with the same scene in Italian and in the original English version. Try to be patient and see and compare the two. I'd like to know your opinion.




 

I think the emotion and great pathos Richard Armitage (Guy of Gisborne) and Jonas Armstrong (Robin Hood) conveyed while shooting on spot is completely lost in the dubbing made in an Italian aseptic soundproof  recording studio. Finally, to be honest, to watch Guy without listening to RA's wonderful voice is absolutely unbearable to me! What do you think?

Mrs Gaskell & Italian Translations


You know I particularly love Elizabeth Gaskell and I'm currently reading her thick- but -lovely WIVES AND DAUGHTERS. You also know I've got wonderful Bloggy Friends all over the world with whom I share many of my little great pleasures. One of them, who has recently often spoilt me, sharing wonderful things she finds on line  and knows I love with me, is  MissKarenBlixen. This  is only one of her nicks and she's wonderful, indeed.
I know and she knows - she is Italian like me -  that it is impossible for an Italian who doesn't read English,  to read Gaskell's novels, apart from Cranford. But she has found this interesting document in a library: an abridged Italian translation of North and South by Ada Borrelli , published in the 60s by Casa Editrice Giuseppe Principato. If I were a good translator, I'd like to translate all of Gaskell's novels and I'd propose them to an Italian publisher. But I'm not good and I'm too busy doing my job.



Thank you, MissKarenBlixen,
 for this precious information, supported by photographical evidence.