While I was studying for my last university exam in English Literature –it was in the 1980s! - I heard of E. M.Forster for the first time. I had also happened to read an article in the papers about the posthmous publication of his novel “Maurice” (about his homosexuality) just few days before that exam and that piece of information helped me when the professor asked about the two or three pages taken from Forster’s “Howard’s End” we had in our anthology. I hardly remembered what they were about (we had to know about all the most important writers in English Literature from the Victorian Age to mid-20th century!) So when I rapidly finished telling him the little I could recall about that passage, I immediately started reporting what I had just read on the newspaper some days before and he was enthusiastic.
After that I felt … “indebted” to E. M. Forster and wanted to read his works starting just from Howard’s End. He became my favourite writer in those years and I read all his novels: A Room with a View, Passage to India, Maurice, Where the Angels Fear to Tread and The Last Journey. I also saw all the adaptations of his works released in those years and particularly loved them.Howard’s End is a wonderful novel telling about the encounter of two very different families the cultured, idealistic Schlegel sisters and the materialistic, commerce-obsessed Wilcoxes with a third one, the impoverished Bast family.
Howards End is E.M. Forster's symbolic exploration of the social, economic, and philosophical forces at work in England during the early years of the twentieth century. Written in 1910, the novel offers an extraordinarily insightful look at the life of Edwardian England in the years preceding World War I. Preoccupied with the vast social changes sweeping his nation, which was then at the height of its Imperial world influence, Forster set out to address the question critic Lionel Trilling expressed as, "Who shall inherit England?"--meaning, which class of people would come to define the nation? To answer the question, he explores the lives of three different groups of people, each of which represents a particular social class or class aspect: the literary, cultural Schlegel family, who represent the idealistic and intellectual aspect of the upper classes; the materialistic, pragmatic Wilcox family, who represent the "solid" English work ethic and conventional social morality; and the impoverished Bast family, headed by a lower-middle-class insurance clerk who desperately hopes books will save him from social and economic desolation.
Very often in F.’s novels the meeting between different ethnic or social groups ends up in tragic clashes with tragic results (it happens both in Passage to India and Howard’s End, for instance) Is he so pessimistic? Not so much. Howard’s End ends in hope. Forster suggests a way to overcome differences more than once in his stories. He calls it “the secret understanding of the hearts”.
(the pictures are taken from HOWARD'S END 1992)
Throwback Thursday is hosted at
Takemeaway blog by Jenny
Throwback Thursday is hosted at
Takemeaway blog by Jenny