(I used Grammarly to grammar check this post, because even good English teachers aren't perfect!)
I've been watching (or re-watching) several different movies lately, some very good ones too.
After depressing hard-working days, wrecked and exhausted, I've found some solace in very beautiful stories ( or in shallow romances if not in silly comedies!)
I've chosen a couple of good ones to share with you and write about: A Royal Affair and Anna Karenina. They are both costume movies and stories of women prisoners of a male-oriented world. For similar reasons the two heroines suffer exclusion, condemnation and solitude before their lives end tragically. I was touched, moved and emotional most of the time while watching, but grateful for the great emotions they gave me. I could deeply relate with the protagonists and forget myself for a while.
A Royal Affair (2012) is the account of the true facts which took place in the 18th century at the court of King Christian VII of Denmark, narrated from a female perspective. We have a retrospective view on the facts - strongly saddened by the anticipation of an upcoming tragic epilogue - which are told directly by the disgraced heroine, Caroline Matilda of Great Britain. The film starts with the exiled queen writing letters to her distant children, whom she knows she will never see again.
She married the mentally ill young monarch of Denmark and betrayed him with his enlighted chancellor, friend and personal surgeon, Johann Friedrich Struensee. She is now exiled from the court and banished from any meeting with husband, daughter and son. When she arrived in Denmark, she was ready to be a good wife for her future husband and a good queen for the realm, but had soon discovered the impossibility of making that dream come true. She had been doomed to solitude and unhappiness, prisoner of her position, and victim of rules, conventions and even censorship, which prohibited her to read the books she had brought with her from England.
The cast was all great but the performance of Mikkel Boe Følsgaard as king Christian was simply outstanding.
Mads Mikkelsen as Doctor Struensee and Alicia Vikander as Caroline Matilda were awesome as the enlighted passionate leaders of an extraordinary season of reforms in Denmark and so touching as the tragic protagonists of the unforgettable love story. Have a look at a clip and a trailer of the movie to have a visual hint of what I've tried to explain with words.
|Keira Knightley as Anna Karenina|
Unfortunately, my enthusiasm faded away quite soon. The first time I tried to watch this film I had to give up after quarter of an hour. I was rather disturbed by the choice of director Joe Wright to represent Tolstoj's Anna Karenina's with a theatrical allegory. My first impressions were something like: "This creates a distance between the watcher and the character's predicaments feelings" or "It sounds like a parody more than a tribute to a great novel!"
I've recently given it a second chance and I'm glad I did it". Not that my idea on the direction has changed that much, but I am less disappointed after watching the whole thing. Once you get used to the staging device, you get beyond it and you start relating to the characters once again.
|Aaron Taylor-Johnson as Count Vronsky|
|Anna and Vronsky in Italy|
Konstantin Levin, the co-protagonist in Tolstoj's novel, is quite in the peripherals in the movie though his story runs parallel to Anna's with quite the opposite result : Konstantin's loyalty and endurance will be rewarded with Kitty's love and marriage, while Anna destroys her family, Levin forms a new strong one. He is dutiful and socially awkward, he prefers his solitude to a worldly life. His heroism lies in his simplicity and modesty. He shares a humble life with his peasants from whom he learns to love small things.
Useless to say that my favourite story-line is Anna's stubborn pursuit of love, final failure of her dream included, more than Konstantin's successful marriage and final conversion.
My love for this novel overcame my initial hesitation and even dislike for many cinematographic choices. I expected turbulence, tragedy and emotional bite, but these are exactly the elements I recognized as lacking. The scenes and the costumes were gorgeous but the coreographic ensemble effect, the stylished bizarre direction, the theatre set deprived the relationships of their congenial pathos.