Baz Luhrman's latest movie is still in some theaters and has so far divided audiences - as expected - and overcome any promising financial plan. Either you love it or you hate it. This is what usually happens after you watch one of Luhrman's films. Lisa Keys has seen The Great Gatsby and wants to share her musings with us, here at FLY HIGH. Do you agree with her? Did you like Leonardo Di Caprio's Gatsby?
Having seen the trailer for The Great Gatsby, which plays like a pretentious R&B/Rap video, one can be forgiven for entering the cinema with fairly low expectations of this adaptation of the American literary classic. Was this to be another flashy, CGI laden, piece of film making folly, all style, no substance? It teeters on the brink at times, as the occasionally over the top set plays threaten to drown the heart of the movie in a soup of visual trickery, modern music and rather out of place slow motion violence. However, the film does manage to remember that at it's heart is the 1925 novel by F. Scott Fitzgerald, constantly referring back to the book almost word for word at times. This, combined with some notable lead performances, serves to save the film from itself.
Having seen the trailer for The Great Gatsby, which plays like a pretentious R&B/Rap video, one can be forgiven for entering the cinema with fairly low expectations of this adaptation of the American literary classic. Was this to be another flashy, CGI laden, piece of film making folly, all style, no substance? It teeters on the brink at times, as the occasionally over the top set plays threaten to drown the heart of the movie in a soup of visual trickery, modern music and rather out of place slow motion violence. However, the film does manage to remember that at it's heart is the 1925 novel by F. Scott Fitzgerald, constantly referring back to the book almost word for word at times. This, combined with some notable lead performances, serves to save the film from itself.










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